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One of the first Dutch techno producers/musicians to establish a vital connection between Detroit and Amsterdam in the early 90ʼs. Orlando Voorn has long been recognized as one of the Netherlandʼs most original and ingenious techno producers in the world of electronic music.

Voorn began DJing at the early age of 12 years old and later went on to win his first scratch competition at Amsterdam “Club Flora Palace”. Amazingly Voorn did this by borrowing records from his competitor. After winning that competition he continued to practice every day and was discovered by a Dutch Radio host named “Robin Albers” who was in charge of the Dutch DMC DJ Championship 1986. Surprisingly Voorn placed 1st in the Dutch competitions 1986 & 1987 for Holland which placed him in the world championships of DMC twice in the United Kingdom where he came in 3rd place 86 and 5th place 87 spinning with his own characteristic blend of hip-hop, and electro music.

Towards the end of the eighties he acquired his first sequencer and turned his hand to producing his productions, his first project was under the alias “Fixomatic” – “Hurt em Bad” the track was an old school hip hop record and sold very well for that period of time. Voorn has a great vision for combining sounds, rhythms and key structures. When you look at Voornʼs past it mainly consists of 2 important factors. He started playing drums at an early age of 9 years old and having professional drumming lessons although he could not comprehend reading notes his drum teacher said to his parents “Orlando doesnʼt need to read notes” he was indeed a natural and could play everything that was shown to him once. Later on, Voorn produced a couple of tracks based on sampling music; he met with Steve Clisby from a successful band called the “American Gypsies” in the early 80ʼs. Clisby was intrigued by the way Voorn put together a production based upon samples; when an agreement was established Voorn worked together with Clisby who would teach Orlando chord structures. This was a major step for Orlando as it changed his view on productions tremendously. As he no longer needed to use only samples but he could, in fact, create a track/composition from playing it all with keys, bass lines, pianoʼs etc…

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